Released via XL Recordings, the self-titled record is the first to feature the Venezuela-born, London-based producer’s untreated singing voice. He sings in Spanish – the language of his childhood home, Venezuela. It stands as a defiant, delicate statement of intent, and cements his position as one of this turbulent decade’s defining musicians. Previous work has incorporated snatches of song and Arca’s rapping, but on Arca, his voice is front-and-centre on eight of the album’s 13 tracks. Frequently, he has used his first-takes, untreated and without post-production: clicks of saliva and burrs of the throat carry melodies of staggering richness and delicacy. His masterful production knits together vocal tracks like “Sin Rumbo” and first single “Anoche” with instrumentals like “Whip” and “Urchin”, each as extreme as the other. Across the album, the tectonics of pure digital sound, his own piano playing and his voice combine, weaving the album together like folds of skin, or wounds healing post-trauma.